DAN MOLD PHOTOGRAPHY
I started writing for photography magazines and websites back in 2012 and in that time was a gear reviewer, Photoshop specialist and deputy editor of some of the world’s most beloved photography magazines including Digital Photo, Digital Photographer, Practical Photography, Digital Camera, Amateur Photographer, EOS Magazine and PhotoPlus: The Canon Magazine to name but a few.
Below are some of my career highlights working in the publishing industry. If you would like to book me for any editorial work please get in touch via the button below.
My editorial journey so far…
Where it all began.
I’ve always had a passion for creativity and the arts but ended up gravitating towards photography after studying it at college and with digital cameras making it more accessible (it also had the benefit of being less messy than painting). I became a camera salesman at my local John Lewis which would help me to land my first writing job on Digital Photo when the editor Jon Adams took a chance on hiring me as the gear guy (technical editor) when I was just 19 years old.




Product photography for Digital Photo and Practical Photography
If I was reviewing a piece of kit for Digital Photo or Practical Photography we’d always try to do better than the generic stock shots the camera companies would provide us with. This lead to getting all sorts of creative and interesting shots for gear tests in our photo studio.
Winning my first photography competition
In 2015 I attended Panasonic’s press event in Majorca, Spain to launch its LUMIX G7 camera. This was an incredible trip filled with activities to show off what the camera was capable of, including some then state of the art features like pre-capture and 4K still image extraction – now commonplace among modern cameras. Panasonic hosted a competition between the journalists who attended and my image here came first place and won me a Panasonic CM1 smartphone!
My first wildlife lead feature using all of my own images
As I learnt from the brilliant photographers I was working with I became more confident and discovered a passion for nature and wildlife photography. I eventually pitched these ideas to my editor and he allowed me to write my first wildlife feature which was a milestone achievement as I was able to use all of my own images of deer, owls, foxes and red squirrels.





Taking some time out
After writing for Digital Photo magazine for four years I decided to take a break and travel the world whilst I was still young – I also wanted to put what I’d learnt about photography into practice. The trip around Thailand, Laos, Vietnam, Cambodia, Philippines and Australia was simply stunning. I couldn’t be happier with the images I came back with, many of which I still use in travel photography features that I’m writing to this day. I’ve even turned some of my favourites into prints and if you’d like to help support my photography and fund future trips please consider purchasing one via the link below.


























Being the Photoshop editor on Practical Photography
As the Photoshop editor on Practical Photography magazine for two years, I edited the Digital Photo mini-mag 32 page supplement stitched and had a lot of fun coming up with weird and wonderful digital art tutorials and techniques for our readers.
Presenting videos for Practical Photography
During my time working on Practical Photography magazine I was also able to present videos on all manner of photographic subjects from family portraits to macro, but usually were based on my specialist ares of interest: nature, wildlife and landscapes. I think I probably moaned a bit too much about doing these videos at the time because they took so much work to put together, but they were always worth the pain and I grew to love presenting and made some great memories working with an amazing group of people and going on adventures all over the UK. Some of the highlights included filming a 24 hour shooting challenge and visiting Norway!
My first cover image
I always thought my first magazine cover would be one of my wildlife or landscape nature images so I was pleasantly surprised when Digital Camera magazine chose this strawberry splash image from the still life feature I wrote for them in issue 251 for their front cover image as this was a defining moment.
Trips to the Isle of Skye with PhotoPlus
Over my five year tenure as the deputy editor for PhotoPlus magazine I was lucky enough to visit the landscape photographer’s paradise that is the Isle of Skye in Scotland. This was to photograph landscapes for a winter landscapes feature the first time and later to return, co-leading a landscape photography workshop for PhotoPlus with the legendary photograper Marcus McAdam who runs the Skye Photo Academy.
Murder on the Express Photoshoot
When the wonderful people at The Creativity Hub invited me to their Murder on the Express photography experience, hosted by Gavin Hoey and Jason Birth, I jumped at the chance! The event was also sponsored by Canon so I was able to try out some of their latest RF lenses and work on B&W film noir portraiture.
Models: Molly Shaw-Downie & Lee Jay Hoy



Co-leading a travel photography workshop in Budapest
I’d been on holiday to Budapest in the past and one my favourite moments from my time working on PhotoPlus magazine was being able to plan out a workshop covering all of the locations I had scouted out previously and put them into a travel photography workshop we could run with pro photographer Jeremy Flint and PhotoPlus subscriber Peter. Here’s a few of my favourite images from the trip.













Sigma Press Trip - Japan
In 2025 I was fortunate enough to be invited to Sigma’s press tour to Japan in February just before PhotoPlus: the Canon magazine closed the following month. The trip was amazing and included a visit to Sigma’s HQ in Tokyo for the launch of its BF camera and two new 300-600mm f/4 and 16-300mm lenses, plus a tour of the Sigma factory up in snowy Aizu, capped off with CP+ and a farewell cruise in Yokohama.



Life as a freelancer
With the closure of PhotoPlus in March 2025 I was made redundant and dove head first into the world of freelance and while less secure than a ‘normal’ job it has been liberating in the work I get to pick and choose from. To date, this has included regular editorial work writing photography features, advertorials and gear reviews for the likes of Amateur Photographer and EOS Magazine as well as working on my own brand, running family portrait sessions and shooting weddings.








